When designing wasn't enough, I picked up the Violin. My journey with the violin started traditionally—but it didn't stay that way for long.

Over the years, I've taken the instrument beyond concert halls and into rehearsal rooms, jam sessions, and rock stages. Today, I plug my acoustic violin into a guitar processor, sculpting sounds that cut through distortion and hold their own alongside drums, bass, and amps. I'm currently exploring and mastering the niche of rock violin, blending melodic phrasing with gritty tones and experimental textures. Artists like Charles Yang—who seamlessly sings while playing—continue to inspire me to push technical and expressive boundaries. Whether I'm performing originals or reinterpreting classic tracks, my goal is to make the violin feel just as electric as any lead guitar.